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ABOUT
My interest in the audiovisual industry grew as I studied Sound Design, in 2015. After I graduated on Video Production, I kept learning all kinds of techniques and new softwares to be able to get the most of my work.
Since I started working, I especialized in video editing, however, my knowledge expands to color grading, VFX, camera operating or 3D filmmaking.
EDUCATION
2015-2017
Sound Design
(Higher education)
Music and voice recording
Sound effects and foley
Sound postprocessing
Mixing console in live events
Setting up a stage
Lip sync voice to video
Voice over recording
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2018-2020
Audiovisual production
(Higher education)
Filming with ENG, DSLR
Editing and color grading
Motion graphics
TV production on set
Script writing
Storyboard drawing
VFX
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2019
Davinci Resolve
course (50h)
Color correction in 4K, 8k and Raw​
LOG usage
Creation of LUTS
Color theory
Color harmony and contrast
Counterpoint
Optical effects
Masks and filters
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2020
Cinema 4D
course (25h)
VFX (Fire, wind, simulations)
Motion graphics
Basic modeling
Basic rigging
Animation basics
Compositing with AE
2024
Unreal 5 for filmmakers
Environment creation
Blocking and framing
Camera layout
Camera animation (key, rail)
Character animation editing
Basic VFX
Camera setup
Compositing to AE and
Davinci Resolve.
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WORK
2020
Video editor and
camera operator
Educational videos for an academy.
* Visualization and edition of clips.
* Color correcting for a neutral look.
* Voice enhancing for better understanding.
* Camera setting and recording.
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2021
Video editor, motion grapher and VFX
Trailer and social media videos for videogame company.
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* Isolation of layers from illustration.
* 2.5D animations in After Effects.
* Script and storyboard making.
* Video edition and VFX.
* SFX both in game and for the promotional videos.
2021-2022
Video editor and camera assistant
Videos for an audiovisual content
agency in Lapland.
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* Travel videos for YouTube.
* Edition for external companies.
* Camera and drone asistance.
* Basic motion graphics.
2022-2024
Video editor, cam-operator, cinematic 3D, SFX, VFX
​​Marketing videos for a videogame company and in game asistance.
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* Motion graphics and VFX.
* Trailers for events and social media.
* Short clips, ads and reels.
* Official trailers with 3D cinematics.
* Camera layout and animation.
* Camera operator.
* Wallpapers in game and merchan.
* Graphic design asistant.
* VFX and SFX.​​​
2024
Filmmaker and motion grapher
​​Corporate videos and recreational videos recorded, edited, graded and resized for different platforms and formats.​​​
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* Videos for social media.
* Graphic design.
* Rebranding collaboration.
* Motion graphics.
* Filmmaking.
* Color grading.
* Live streaming.
INTERESTS
3D SHORT FILMS
I started using Unreal and Blender to tell stories on my previous job.
I found out a new world of possibilities, where it is only needed a story, and 3D animators, to make a short film come to life.
Creating the environment, setting an ambience with lighting and simulations, using a virtual camera to travel across the story we want to tell is the best thing I was able to learn since I started working in the industry.
MOTION GRAPHICS
The process of motion graphics is quite challenging but fun.
The level of creativity needed to achive a motion graphics animation that is art on its own, is a process of learning, trial and error, and it is only possible when our imagination is unleashed.
There are so many levels of motion graphics, from text animation, to product graphics, to a whole scene of illustrations and creativity.
That is my goal, to get to that level.
FILMMAKING
Planning for the shot on the pre-production stage is the most important part in the chain of work. However, what I enjoy the most, is taking a camera and bring that idea to life.
Sometimes, like in most of my travel videos, I unleash my creativity and let the shots flow as I go. That way, I can ejoy the travel while keeping a visual memory of it that I can edit once I get back home.
COMPOSITING
This process is one the most difficult part of the process, since it is needed to perfectly mix two different shots, one may be virtual and the other live action, so that it all seems real, making it as seamless as possible, so that the viewer cannot tell when the 3D environment starts or when it ends.
This can be achived with color grading, overlays, masking, among many other processes.
I look forward to keep diving in this process of filmmaking.
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